Friday, May 24, 2013

In Defense of (the New) Captain James T. Kirk.




  In my recent internet wanderings, I came across an article online that piqued my interest and got me thinking. While I'd originally intended to respond to the article on the Facebook group upon which it first appeared, I thought this might be a better venue to put forth my argument (and hey, it's been a while since I posted anything around here). So here, in brief, is my counter-point:

With respect to Mr. Womack, who's clearly done his homework, I respectifully disagree. While I concede that the Jim Kirk of NuTrek isn't the same as the one from the original series, consider the circumstances by which they come to their respective stations.

The Jim Kirk of the primary timeline is one who was raised by loving parents, who bore witness to the massacre on Tarsus IV orchestrated by Governor Kodos. The young man who enrolled in Starfleet Academy far earlier, buckled down and became known as the single dullest student there. The Kirk of the Abrams films is not the young man who was in attendance at the peace conference on Axanar, but he does share the rebellious streak that prompted both men to cheat the Kobayashi Maru scenario out of a stubborn refusal to accept a no-win scenario. The Kirk who would go on to be humbled by the cloud creature on Tycho IV as two hundred of the Farragut's crew died is a man forged by years of experience to become the youngest captain of a Federation starship at the age of thirty.

  But by that same token the NuTrek Kirk is a different man in his own right. A man who grew up in the shadow of a father he barely knew, raised by an (apparently) emotionally distant mother and an abusive stepfather. A young man who grew up brilliant but angry at the world, who lacked the focus and direction he so desperately needed until meeting Christopher Pike and being flat-out called on his own bullshit. A Kirk who took the challenges of the Academy and met them and (over the course of years in my mind as there's no way you go from cadet to Captain in three weeks like the first NuTrek seems to imply, I'll grant you that) received the opportunity of a lifetime and became the youngest Captain in starfleet, and moreover captain of the flagship of the Federation. He's arrogant at times and cocky, very much not the Kirk of the primary timeline because -that Kirk had nothing to prove-. NuKirk adopts the veneer of being too cool for school as a defensive shield, to keep people back. Keep moving, keep up the bluff, and don't ever let people see a moment's weakness that can be preyed upon. This Kirk grew up with a chip on his shoulder easily the size of a small moon.

 The classic Star Trek had the luxury of a 45-minute format to tell the story it needed to tell, whereas with the Star Trek films of the current day we have two and a half hours at most to build an entirely new universe from scratch. The mandate of the Abrams films is entertainment with a humanist twist, and while we could explore themes of madness, the use of power, and humanity's place in the universe in the classic series, this new universe hasn't even had a chance to launch into the five-year mission proper. They're dealing with the aftermath of having the table completely flipped by Nero in the first film, of a Federation that is struggling to hold onto those high ideals in the face of a new and uncertain universe. Yeah, it's great that in the future humanity has gotten its collective sh!t together and we're going out into space to explore, but there's every chance that the people we're going to meet aren't going to be nearly so enlightened. That they will, in fact, try to kill us and threaten our entire way of life. It's the Roddenberryian (yes that's totally a word its in the becktionary) ideal slams into the reality of a world where we see the almost daily clash of differing cultures. The character of Admiral Marcus from Into Darkness may be an asshat. . .but he's not entirely without a point either.

 And yet it's through the actions of men like Kirk (Classic or New) that we learn to take on those challenges, to find the way to win even if it means changing the game completely. The theme of Into Darkness was hubris and its consequence: NuKirk had basically been all but told by SpockClassic and Nero that he's going to be a captain of some renown in the future, and he'd gotten a bit full of himself, confident in his own future legend. The humility he earned over the course of the film sets him up to be a Kirk who's an acceptable mix of both universes, at least from where I sit. A Han Solo in terms of confidence and ability but with a Luke Skywalker head on his shoulders. This Kirk has a lot more to learn than his primary timeline counterpart, but he has the same potential and it shines through over the course of the films.

  Just my $0.02.

 ~Stac

Saturday, September 10, 2011

Psst. Looking for more?

For the most part, this blog has sufferred as I've moved on to a couple of other projects. If you want some more TCD, I can be found at the following locations:

The Department of Awesomology

The Fanboy Power Hour

Thanks guys!

~Def

Tuesday, July 26, 2011

New Article live on Department of Awesomology.



Hi guys,

My review of Sega's tie-in to The First Avenger, Captain America: Super Soldier is up over at the Department of Awesomology. Check it out here. Does it make the grade? Well. . .therein hangs a tale. Check it out, comment here or over at DOA.

Until next time,

Stac

Friday, July 22, 2011

First Among Equals: Captain America: The First Avenger.



Hi guys,

My (slightly) more restrained take on Captain America may be found over at the other site I work with, the very cool Department of Awesomology. Stop by, read, enjoy the movie, then if you like the site and our mission statement, maybe sign up and hang out. We're not officially live yet, but we're getting ready to take the plunge.

Stac

Post-View Show- Captain America; The First Avenger.

Later.

Later will come the deeper analysis, the introspection and the critical thinking necessary to judge a work of fiction with any degree of impartiality. For the moment, I trust you will indulge me as I completely lose what little hold I have over my self-control and urge you to see this film immediately. It is easily the best film Marvel Studios has produced, and (in my humblest of opinions)the best film of Summer 2011. There. I said it. The gauntlet has been thrown to the ground.

Now this may be my post-viewing enthusiasm bubbling forth, and perhaps subsequent viewing will cool my feelings toward the piece. I freely admit I'm a Golden Age/Pulp nerd; set something in the 1930s-40s, throw in some weird science, a diabolical arch-fiend out to take over the world and a stalwart hero to oppose him and I'm in like Flynn. But this movie not only met my expectations, it exceeded them. Joe Johnston and his team have done what I never would've dreamed possible: they have created a film that is a tonal and character 180 degrees from the pinnacle of contemporary superhero movies (Chris Nolan's The Dark Knight) while still managing to make it a complete and total equal in terms of entertainment.

I may need a good night's sleep to mull this over on (it's about 3:15 in the morning as I type these words and the mixture of fatigue and giddiness could be coloring my perceptions) but I encourage you, nay, implore you to seek this film out. It's just plain fun in a way that I think most cinematic blockbusters rolled off the assembly line just aren't anymore. The good guys were true blue, the bad guys delightfully nasty, the good fight was fought, and a hero came into his own. My usual tag of 'recommended' seems pale and inadequate. See this movie and let me know what you think. Me? I loved it. It's easily my favorite Marvel movie of all time, and stands shoulder to shoulder with Sky Captain And The World of Tomorrow, The Phantom, and the Fleischer Superman cartoons as a vision of old school heroism and adventure.

Now if you'll excuse me, I'm off to collapse into a satisfied but exhausted heap.

Stac

Ps. Staying until after the credits would be very, very wise. Have a bucket handy to collect your face after it's melted off.

Thursday, July 21, 2011

Insert placeholder for new piece here.



Hi guys,

I know, I know. Life keeps happening to me while I make other plans, so for the future let's agree TCD will be updated every Monday, Wednesday, and Friday. Makes things a bit simpler and removes a bit of the 'when's he gonna update' stuff. To be fair I have done some reading and have material ready to go, I just need to apply butt to chair and my late start today didn't help matters (damn Heavy Rain. .).

Tonight though, I will make a pledge. As I'm off to see a movie about a man with a shield, I'll come back and share my completely uncensored chain of thought regarding Captain America: The First Avenger, even before I compose my Official review for the Department of Awesomology. That seems a fair and even agreement between gentlepersons.

Talk to you later,

Stac

Wednesday, July 20, 2011

Everything old is new again. . .again.


This should be an easy piece to write. And on most comics-related blogs and webforums I'm sure it is. The recent decision by DC Comics to reboot their entire line in September with brand new 'first' issues and a (mostly) completely clean slate continuity-wise is doubtless meeting with the fan community in the same way a steel-toed boot would be warmly received by a hornet's nest. And I'll admit freely the temptation to give in to the nerd rage is powerful indeed. But if I had to sit down and analyze my feelings over the reboot, and really look at them beyond my nostalgia and my desire for things to be exactly as I would have wanted when I was first reading comics, I come to an uncomfortable conclusion: I actually don't really mind the reboot all that much. In fact, I can even understand the reasoning behind why it's being done.

DC Comics is a business. Businesses require money. Let's say you have a relatively small but loyal base that provide you with a steady (but not overly abundant) source of income. Yet you have the potential in the wake of certain business decisions (i.e. movies in the cinema/direct to DVD, video games, television shows, etc) to bring in new revenue. So you reconfigure your existing product to be as open to new people (and new money) as you possibly can. Will this irk your existing base who've enjoyed the product as-is for years? Ohhh yeah. But without risk, you're playing a steadily losing hand, your audience dwindling as it ages and then shuffles off the mortal coil. From that perspective I can see what DC is trying to do. I may not completely agree with it, but I can understand it. They want to entice the iReader generation, and if they have to shake hands with the devil of Reboot in order to do so then so be it.

Another thing that has me making my (albeit grudging) peace with the new status quo is the simple fact that I'm thirty-five years old. I can't work up the ire and the bile necessary to get up in arms or protest at San Diego comic con in a homemade Batman costume. It doesn't make sense to me. The comics you read and enjoyed aren't going away. Brigades of Bradburyian Firemen aren't going to come to your door to burn your copies of Crisis on Infinite Earths, Legends, The Man of Steel, Birthright, No Man's Land, Blue Devil, or Justice League International. Those stories are as valid in September as they were ten or twenty years ago. They're not 'real' anymore? Who determines what's 'real' and what isn't but the reader?

Much like professional wrestling and soap operas, superhero comics undergo waves of revisionism and experimentation every so often. DC has a new editorial staff and a new head of publishing, so they're naturally going to pop the hood and try to trick out the engine. Will it work? I don't know, but let's not be quick to rush to judgement in the tradition of The Simpsons' Comic Book Guy. Nobody wants to be that guy. That guy doesn't want to be that guy. If you don't like the new direction, there are literally hundreds of back issues and collected editions you can explore set in the previous continuity, or you can even blaze new trails and experiment with titles from Marvel, Image, Dark Horse, or other independent companies.

I'll be trying out a couple of DC's new titles in September (they've got a book featuring the Grant Morrison Frankenstein, so that's some of my money spent right out of the gate), but I don't feel that this change for the future invalidates the experiences I've had in the past. I could choose to wallow in my nerd rage, or I could choose to give something new a chance. It's a stretch outside my comfort zone, but I'm willing to give it a try.

Stac